Publications

Systema Artificialis, Self Published, 2018

NET 2.6: What does natural look like…?, Oranbeg Press, 2017

Selected Shows

Solo Shows

PEANA Gallery, Monterrey, MX 2019 Upcoming

Taxon Drift at Non-fiction Gallery, Savannah, GA 2018

Group Shows

BREAK A LEG at sUgAR Gallery, Fayetteville, AR, 2019

Prima Materia at LaCasaPark, Garnier, NY, 2018

Sustained Pause at Joseloff Gallery, West Hartford, CT, 2018

Salon Emergente, Guadalajara, 2018

NET 2.6: What does natural look like…?, Oranbeg Press, 2017 (Online)

As to Be Inaudible at C/O Berlin, curated by Jörg Colberg, Berlin, Germany, 2017

Salon ACME, Mexico City, 2017

Indocumentados, Guadalajara, 2017

Ernesto Solana (B. Guadalajara, 1985) is a Mexican artist based in Guadalajara, Mexico. He works in different mediums like photography and installation. His artistic practice is parallel to his research and explorative trips around the suburban belts of many cities in the US, Mexico, Northern Africa and the Netherlands. In his images, Solana captures the consequences of urbanization, colonialism, the capacity of political abandonment and the narrative qualities that decadent objects within these environments have. Solana recently presented his solo show Taxon Drift in Non-fiction Gallery, Savannah, GA, and has been part of groups show like As to Be Inaudible at C/O Berlin, Berlin, Germany curated by Jörg Colberg; Salon ACME, in Mexico City, and Indocumentados in Guadalajara. He recently published his book titled Systema Artificialis where he explores the consequences of the “Anthropocene” and the new forms of relationship between the notions of humanity and nature. Solana studied at ICP in New York and got his International Limited-Residency MFA in Photography on 2018 at the University of Hartford, in Hartford, Connecticut.



For inquiries

ernestosolanan[at]gmail.com

Residencies

Sindicato, Guadalajara, 2019

Casa Wabi, Puerto Escondido, 2018


Featured Work

Fisheye Magazine - Interview

Aint-bad - Interview

Don’t take Pictures

FotoRoom

Oranbeg Press

Untitled (1890’s Ketchup Bottle), 2018